"Diary Of A Supertramp"

"The joy of life comes from our encounters with new experiences, and hence there is no

greater joy than to have an endlessly changing horizon, for each day to have a new and

different sun. If you want to get more out of life Russ, you must lose your inclination for

monotonous security and adopt a helter skelter style of life that will at first appear to you 

to be crazy. But once you become accustomed to such a life you will see its full meaning

and its incredible beauty."~Christopher McCandless

"Diary Of A Supertramp", oil on wood, 4"x72", is a painting of the leather belt that Chris McCandless painstakingly handcrafted in 1992 while staying with his friend Russell Fritz. The belt chronicles Chris's adventures from his departure from Atlanta following college graduation in 1990, all the way up to his intended destination, Alaska, marked with an "N" for north. The completion of his odyssey would be his final greatest adventure in the wilderness near Denali National Park. 

This painting was truly a labor of love. I first saw and held Chris's belt in 2009. It truly is an amazing work of art. His parents and good friends Walt and Billie generously let me use the belt as inspiration for a painting that would be 150% life size. I didn't want to miss a nuance of detail in my rendering of the belt.

I went to Home Depot in Burlington to find my "canvas". My canvas turned out to be a 2x4 piece of pine, 6 feet long, and cost $2.46. I thought Chris might appreciate that. I placed it in my car, ducking my head to avoid it, and went home to begin what would turn out to be a 100+ hour painting. 

I am currently traveling and working away from my studio, BUT I will post more close up photos of the belt painting when I return to Canada in a month. Until then you can see a smaller study of Chris's belt below. "Diary Of A Supertramp (study)", oil on panel, 8"x10", was completed as a test to see if I could paint leather in a satisfying way. The full belt and the study are unusual pieces. I tried to paint in a very detailed manner. I didn't want to lose any information. I wanted to go on the journey with Chris as I painted each piece. 

Each painting was completed starting on the left and moving to the right. I thought it would be interesting to paint it chronologically. I painted "July 1990", a No U-Turn sign, a skull and crossbones with CJM overtop, a two-lane blacktop, a thunderstorm with Chris's Datsun flooded and abandoned, the Pacific Crest Trail, The Sierras and on and on. Chris retells his odyssey on this belt and it is a very special artifact. 

I recently had an exhibition of my paintings inspired by Chris's life in Oakville, Ontario. You can see the belt painting here in the exhibition, "An Aesthetic Voyage: Paintings Inspired By The Journeys Of Christopher McCandless, held at Abbozzo Gallery in Oakville, Ontario." 

I sometimes marvel at the impact that Chris's life and journeys have had on countless people. His courage to explore the unknown with élan and his ideology of less is more really do reverberate on a global level. Even if we do not hitchhike and go as minimally towards the horizon as he did, it is what we distill, what we take away from his words and actions that matter most. Below is another photograph from the exhibition, as well as more paintings that were in the show...

Opening night at Abbozzo Gallery

"To The Sea", oil on canvas, 24"x36"

"Chris's Tent, Stampede Trail", oil on canvas, 18"x36"

The belt that Chris carved so meticulously and artistically, is like his photographs in that it is his unique vision. There are no other interpretations, it is simply his life as he lived it fully and completely, recording it for us to see. Look for those close-up photographs of the painting of the belt here in the coming weeks.

When I was in France last fall for a photo shoot, I bought a silver ring at the Rodin Museum in Paris. Inscribed in a pretty script on the ring are the words "Une vie a plein bord" or "A life lived to the brim". I have worn the ring ever since, even out to Bus 142 in Alaska, being pulled by a snowmobile for over 20 miles along The Stampede Trail in March, bundled up, the snow crunching and flying by. When I got off the sled attached to the snowmobile, the ring had been bent from the effort of holding on so tightly as I was pulled over moguls and around sharp curves. I love that it is bent. It is perfect now. A life lived to the brim. I would like to think that Chris would agree with its message too.

"Not all those who wander are lost."~J.R.R. Tolkien

"Self-Portrait, After" and Christopher McCandless Exhibition

"Sadness is but a wall between two gardens."~Kahlil Gibran

Every artist has their own manifesto, their own impetus that resides underneath the paint. Our reasons for painting are as varied as our techniques...and the beauty of it is there is no correct answer. It is ultimately subjective. Speaking of manifestos, and on a side note, my friend Conrad once suggested I read Pulitzer Prize Winner Mary Oliver's book "Blue Pastures". Within its pages there is an essay called "Of Power And Time." It resonated with me VERY strongly as a creative person. You should read it.

Periodically I do a self-portrait of myself, bereft. I call it, unofficially "The Crying Series". I never know when another piece will be added, which is part of their appeal I find. This painting, "Self-Portrait, After", oil on panel, 2011, 8"x10", is the third piece in the ongoing series. Pain and sadness are just as much a part of life as joy and fulfillment, the question is, what do we do with these ebbs of the spirit? I choose to paint them. By doing do it makes them a reality. It is cathartic. It enables me to work through the sadness, to try to capture a bit of that intensity of emotion. I am not wallowing in despair, but instead, literally, making the most out of a bad situation.

When you look at the painting, remember that it is not important why I was crying, but how it resonates with you. I paint these pieces for myself, but with the hope that others can understand and place themselves in a similar situation where they felt the same hand-wringing of the soul.

On a technical note, I had great interest in painting my eyes. I wanted to show that delicate translucency that one's lids have during and after the struggle.

"Self-Portrait, After" is available at Abbozzo Gallery, and is a part of an upcoming exhibition of my work. I will have a selection of new paintings which will be displayed in conjunction with paintings inspired by the life and travels of Christopher McCandless. Christopher's story was the subject of John Krakauer's book "Into The Wild", and the film "Into The Wild" directed by  Sean Penn. The exhibition will have its opening reception on June 3rd from 7-10pm. I will also be at the gallery on Saturday, June 4th from 2-4pm for guests who were not able to make the opening reception the night before. I hope to see you there! Have a beautiful day and weekend :)

Chris's Pack, Stampede Trail, oil on panel, 24"x36"

An Aesthetic Voyage:

Painting Inspired By The Life And Travels

 Of Christopher McCandless

June 3-18th, 2011

Abbozzo Gallery, Oakville, Ontario, Canada

Opening Reception June 3rd, 7-10pm

June 4th, Artist in attendance from 2-4pm 

If you are interested in any of these paintings you can contact the gallery toll-free at 

1-866-844-4481 or at mail@abbozzogallery.com 

"Diary Of A Supertramp (study)", oil on panel, 8"x10"

"To The Sea", oil on canvas, 24"x36"

"Chris's Tent, Stampede Trail", oil on canvas, 18"x36"

"Rather than love, than money, than fame, give me truth."~Henry David Thoreau

"Diary Of A Supertramp (Study)"

"The joy of life comes from our encounters with new

experiences, and hence there is no greater joy than to have an

endlessly changing horizon, for each day to have a new

and different sun."~Christopher McCandless

A study is a small painting or preparatory painting that will later be redone as a larger, more involved piece. "Diary Of A Supertramp", 9"x12", oil on board is a study of a large piece that I have recently started work on.

Christopher McCandless kept a rich and full cache of memories within him. He had many amazing adventures while on his odyssey of self-discovery from 1990-1992. He hitched rides that spanned countless miles of asphalt, he canoed down the Colorado River to the vast stretches of uninhabited coastline by the Sea Of Cortez, he learned the dangerous skill of jumping trains. These experiences, as well as countless other trials all of the mind and body inspired him to record his "greatest adventure" on a belt provided by Ronald Franz, a kind, elderly gentleman that he met in Salton City, California in January 1992.

Chris had given himself the new name of Alexander Supertramp, the pseudonym that he would use in his interactions with many people that he met on his travels. This is why I have titled this painting "Diary Of A Supertramp (study)", because that is how he viewed himself and who he was.

Chris expertly crafted this leather belt with an intricate chronology of his life from July of 1990-April 1992. He carves his friend Wayne's house in South Dakota, his car being flooded in the Detrital Wash near the Grand Canyon, his arrest upon trying to re-enter the United States after spending over a month in Mexico, mountain ranges, wildlife, goals, direction, movement. It is a beautiful work of art in itself. Chris was an artist just like myself or any other creative person who manifests their inward vision outward into the world. His canvas was a leather belt, and you can tell that he put a lot of thought into its design. Unlike a screen on a computer, or even a canvas that you can paint over, he had a finite space, with little margin for error. When I first saw Chris's belt I knew I had to paint it. His photographs affected me the same way. There is a weight to them, a beautiful and expressive weight, and the belt is another part of the equation that makes up the moving and powerful pieces of art that he left behind.

"Diary Of A Supertramp (Study)" is currently available at Abbozzo Gallery in Oakville, Ontario. It is a small section of the entire belt that I am now painting. The larger painting is six feet long, on a 2 by 4 actually. I thought Chris would appreciate the economy in procuring the lumber that would comprise the surface for the large painting:) This small study as well as the full belt painting are going to be available as a part of a body of work inspired by Chris's life and travels in June 2011 at Abbozzo Gallery in Oakville, Ontario. The show runs from June 3-18th! Here is a link: 

I will have a selection of new paintings which will be displayed in conjunction with paintings inspired by the life and travels of Christopher McCandless. Christopher's story was the subject of John Krakauer's book "Into The Wild", and the film "Into The Wild" directed by  Sean Penn. The exhibition will have its opening reception on June 3rd from 7-10pm. I will also be at the gallery on Saturday, June 4th from 2-4pm for guests who were not able to make the opening reception the night before. I hope to see you there! Have a beautiful day and weekend :)

Chris's Pack, Stampede Trail, oil on panel, 24"x36"

An Aesthetic Voyage:

Painting Inspired By The Life And Travels

 Of Christopher McCandless

June 3-18th, 2011

Abbozzo Gallery, Oakville, Ontario, Canada

Opening Reception June 3rd, 7-10pm

June 4th, Artist in attendance from 2-4pm 

If you are interested in any of these paintings you can contact the gallery toll-free at 

1-866-844-4481 or at mail@abbozzogallery.com 

"Chris's Pack, Stampede Trail", oil on panel, 24"x36"

Take care and be well..

Heather

"I too am not a bit tamed, I too am untranslatable,

I sound my barbaric YAWP over the roofs of the world."

~Walt Whitman, Leaves of Grass